All posts tagged: cinematic

Will This Mahavatar Cinematic Universe Film Achieve This 50-Year Old Record Missed By Mahavatar Narsimha?

Will This Mahavatar Cinematic Universe Film Achieve This 50-Year Old Record Missed By Mahavatar Narsimha?

Mahavatar Parshuraam Box Office: Will It Claim What Mahavatar Narsimha Could Not? ( Photo Credit – Instagram ) The Mahavatar Cinematic Universe took the Indian box office by storm when Mahavatar Narsimha arrived. Produced by Hombale Films, the mythological animation film took everyone by surprise by turning into the second most profitable Indian film of 2025, and immediately, a Mahavatar Cinematic Universe was announced. The second installment of this Universe, Mahavatar Parshuraam, has been officially announced, and it will be interesting to see if it breaks some more records! Mahavatar Narsimha’s Missed Record! While Mahavatar Narsimha broke several glass ceilings and rewrote history for small-budget cinema, it missed one legendary milestone by a whisker. Can the next installment of this Universe make sure that this 50-year-old record of Indian Cinema finally gets broken? Mahavatar Parshuraam VS Most Profitable Mythology Film Despite the humongous success of the Mahavatar Narsimha, it failed to dethrone the most profitable Mythological film of Indian Cinema – Jai Santoshi Maa, which released in 1975. If Mahavatar Parshuraam manages to break this …

Mahavatar Parshuram first look: Hombale Films unveils second film in Mahavatar Cinematic Universe

Mahavatar Parshuram first look: Hombale Films unveils second film in Mahavatar Cinematic Universe

After the success of Mahavatar Narsimha, Hombale Films are presenting Mahavatar Parshuram! Presented by Hombale Films and produced by Kleem Production, this marks the 2nd instalment in the planned seven-part Mahavatar Cinematic Universe. The makers dropped the official first glimpse and poster of Mahavatar Parshuram on the occasion of Parshuram Jayanti. Mahavatar Parshuram marks the 2nd instalment in the Mahavatar Cinematic Universe. Mahavatar Parshuram first look Hombale Films dropped the poster and first glimpse of Mahavatar Parshuram on Instagram. Directed by Ashwin Kumar, the film is part of the planned seven-part animated Mahavatar Cinematic Universe, based on the ten avatars (incarnations) of Vishnu. The poster featured a fierce warrior holding a heavily blood-stained battle axe in the middle of a battlefield. The tagline reads, “Where Patience Ends, the Axe of Parshuram Begins!” Sharing the first look, the makers wrote, “Presenting the next from the Mahavatar Cinematic Universe: #MahavatarParshuraam. Not a ruler, but a force against adharma, restoring balance across ages. Wishing you a blessed #ParshuramJayanti.” The film will depict how Lord Vishnu took the Parshuram …

RGV on working with Asha Bhosle in Rangeela: ‘Asha ji’s playful sensuality, mischievous energy and unimaginable vocal range created pure cinematic magic’ | Bollywood News

RGV on working with Asha Bhosle in Rangeela: ‘Asha ji’s playful sensuality, mischievous energy and unimaginable vocal range created pure cinematic magic’ | Bollywood News

At the start of Rangeela, AR Rahman announced his arrival in Hindi cinema with the pulsating opening of the title track, “Rangeela Re.” But he was sounding the bugle not just for himself, but also for choreographer Ahmed Khan, as Hindi film audiences had never seen that kind of street-style choreography on screen before. Nor had they experienced the dreamy visual language of a Ram Gopal Varma film. Urmila Matondkar, once the bright child actor from Shekhar Kapur’s Masoom (1983), burst onto the screen here, announcing her transition into a confident leading lady. There was only one voice at the start of Rangeela — strikingly familiar yet rebelliously raw — that served as a reassuring nod to a disoriented audience transported into a whole new world. “Yaayi re, yaayi re, zorr laga ke nache re,” sang the then-62-year-old Asha Bhosle, who breathed her last today. She invited the audience to embrace the new, just like she had done in each of the five decades she had made a mark in since her debut in 1943. …

Asha Bhosle created cinematic magic redefining film music’s rebellious spirit| India News

Asha Bhosle created cinematic magic redefining film music’s rebellious spirit| India News

Today, on the passing of my all-time favourite singer, the legendary Asha Bhosle ji, I find myself reflecting deeply. In Rangeela, it was Rahman who composed the music, but it was Asha ji’s voice that infused it with an immortal soul and raw, youthful fire. ‘Rangeela Re’ wasn’t just a song; it was a thunderclap that shook Bollywood. Singer Asha Bhosle at an event celebrating Marathi Language Day in February 2025. (AFP/File) Urmila’s electrifying moves on the raw, pulsating streets of Mumbai fused seamlessly with Asha ji’s playful sensuality, mischievous energy, and unimaginable vocal range, creating pure cinematic magic that redefined the rebellious spirit of film music. I remember her walking into the studio with the poise of a queen, yet carrying the wide-eyed, childlike curiosity of a newcomer hungry to experiment with a new-age music director like Rahman. One take, a small adjustment in phrasing or emotion, and the magic flowed like a torrential storm. Coincidentally, today marks the 24th anniversary of her track ‘Khallas’ from my film ‘Company’, starring fiery Isha Koppikar. That …

Ranvir Shorey feels Dhurandhar’s success won’t help indie films: ‘They aren’t about spectacle, but cinematic excellence’

Ranvir Shorey feels Dhurandhar’s success won’t help indie films: ‘They aren’t about spectacle, but cinematic excellence’

Actor Ranvir Shorey feels that the time is not so great for small, independent films in India. The actor, who is currently promoting his upcoming film, Everybody Loves Sohrab Handa, said in a recent interview that indie films are losing ground in both theatres and on streaming, with large spectacle-led films dominating conversations on both mediums. Ranvir Shorey has talked about the state of indie films in India. (PTI) Ranvir Shorey on indie films in India Over the years, Ranvir has been one of the most prominent names in Indian independent cinema, with films like Khosla Ka Ghosla, Bheja Fry, and Dasvidaniya. His upcoming film, Everybody Loves Sohrab Handa, is a crime thriller written and directed by Rajat Kapoor. In an interview with PTI, Ranvir spoke about the landscape for indie films in the country. “It’s not a great time right now for smaller films like our film. Earlier, the theatrical system was difficult for smaller independent films because of the big films and big star system. Then the streaming platforms came, and it became …

Chetak Screen Awards 2026: For the first time in 20 years, cinematic excellence across 31 categories will be celebrated on a live broadcast | Bollywood News

Chetak Screen Awards 2026: For the first time in 20 years, cinematic excellence across 31 categories will be celebrated on a live broadcast | Bollywood News

Backed by a powerful blend of credibility, cultural legacy and digital reach, the Chetak Screen Awards 2026 makes a come­­back on Sun­­day, seeking to redefine how cinematic excellence is showcased and celebrated in this ever-evolving world of entertainment. The awards, across 31 categories in both theatrical releases and OTT films, will spotlight those who have excelled and enriched contemporary Hindi cinema — and leading the nominations is Aditya Dhar’s espionage thriller Dhurandhar with 24 nominations, followed by Mohit Suri’s romantic musical Saiyaara with 17, and Neeraj Ghaywan’s Homebound with 15 nods. The winners have been chosen by the Screen Academy, an independent, not-for-profit body comprising over 50 acclaimed filmmakers, artists and cultural voices. The event, in Mumbai, will be hosted by actor Alia Bhatt. The Bollywood star will share the hosting duty with actor-comedian Sunil Grover, stand-up comedian Zakir Khan, and Saurabh Dwivedi, Editor – Hindi, The Indian Express. A large number of prominent film personalities, who will walk the red carpet and attend the ceremony, will lend their starpower to honour the winners and …

A Cinematic Triumph in the Making! Ranbir Kapoor Is Flawless as Rama, VFX & BGM Hit It Out Of The Park

A Cinematic Triumph in the Making! Ranbir Kapoor Is Flawless as Rama, VFX & BGM Hit It Out Of The Park

Ramayana First Glimpse Review Out!(Photo Credit –Prime Focus Studios) The much-awaited moment is finally here. Namit Malhotra, Nitesh Tiwari and team have finally unveiled the first glimpse of Ramayana. It introduces Ranbir Kapoor as Lord Rama, and we’re already convinced that no other actor could have looked this promising! The graphics are top-notch and Indian cinema could be gearing up for one of its biggest masterpieces. Scroll below for our detailed review. Decoding the Ramayana: First glimpse! The 2-minute, 38-second promo opens with a sweeping cinematic tone, beginning with striking war visuals before transitioning into a grand welcome for the ultimate “protector,” Lord Rama, in Ayodhya. As it unfolds, the promo offers glimpses of the Ramayana, presenting key moments in quick yet powerful sequences. Among them is the deeply emotional departure for Vanavas, where Rama leaves alongside Sita Maa and Lakshman. Overall, it promises a retelling of this historic epic in a way that feels both visually spectacular and rooted in authenticity. Ramayana First Glimpse Review We’ve been hearing that Ramayana ranks among the most …

Mona Singh is ‘very proud’ of Gaurav Gera’s cinematic journey; reveals why she hasn’t watched Dhurandhar 2 yet: ‘It’s 4 hours’ | Bollywood News

Mona Singh is ‘very proud’ of Gaurav Gera’s cinematic journey; reveals why she hasn’t watched Dhurandhar 2 yet: ‘It’s 4 hours’ | Bollywood News

3 min readKochiApr 1, 2026 04:24 PM IST Renowned actor Mona Singh is currently on cloud nine. That’s not just because she has already had four releases — Happy Patel: Khatarnak Jasoos, Border 2, Kohrra Season 2, and Subedaar — so far this year, but also because Gaurav Gera, one of her closest friends, is basking in the tremendous success of the Dhurandhar movies, where his performance received widespread acclaim. Thus, the two amigos have literally been riding a wave of success for the past four months. Interestingly, their camaraderie began long before either of them became stars, dating back to their early days in the industry when they were still finding their footing. In fact, it was the TV show Jassi Jaissi Koi Nahin that launched both their careers. While Mona played Jasmeet Walia alias Jassi, marking her acting debut, Gaurav appeared as her best friend Nandu. Both actors earned immense fame for their performances, and their on-screen friendship continued off-screen as well. Check Out | Dhurandhar 2 Worldwide Box Office Day 13 LIVE: …

Dhurandhar 2: Nagarjuna says Ranveer Singh-starrer is ‘one of those movies that changes filmmaking’; Kajal Aggarwal says film is ‘cinematic ecstasy, pro max’ | Bollywood News

Dhurandhar 2: Nagarjuna says Ranveer Singh-starrer is ‘one of those movies that changes filmmaking’; Kajal Aggarwal says film is ‘cinematic ecstasy, pro max’ | Bollywood News

4 min readHyderabadMar 23, 2026 02:18 PM IST It has been four days since Dhurandhar: The Revenge opened in theatres worldwide, and the conversation around it shows no sign of slowing down. The sequel to the 2025 blockbuster Dhurandhar, directed by Aditya Dhar and led by Ranveer Singh, has crossed Rs 450 crore in India alone and is still going strong with high audience turnout. But beyond the numbers, what has caught attention this week is the wave of response coming from within the film industry itself. Telugu actor Nagarjuna was among the first prominent voices to speak up. “Saw this incredible film called Dhurandhar TheRevenge!!! What a ride! It just blew my mind and I can’t stop thinking about it,” he wrote on social media. He called it “one of those films that inspires and changes filmmaking,” singling out director Aditya Dhar and the entire technical crew spanning cinematography, music, sound design, action, and art direction. He also noted with pride that Annapurna Studios in Hyderabad processed the Dolby Cinema version and handled South …

How ‘Dhurandhar’ trades cinematic nuance for state glorification

How ‘Dhurandhar’ trades cinematic nuance for state glorification

There are two scenes in Aditya Dhar’s Dhurandhar The Revenge that reveal, almost against its own instincts, what it might have been. The first comes just after the interval. Ranveer Singh, as Jaskirat Singh Rangi, stands before the remnants of his past. But in the same breath, he is already being compelled into becoming Hamza, forced to decide the fate of his handler. The second precedes it and belongs to the film’s antagonist, Major Iqbal (Arjun Rampal). If the earlier scene examines becoming, this one concerns unravelling. And, much like Singh, Rampal is divided between two failures: as a son before a father who withholds approval, and as a commander before a nation that demands certainty he is unable to provide. Both scenes settle into that uneasy space between the personal and the professional. Both scenes hint that what should be duty is contaminated by memory, what should be private has already been weaponised. Both scenes ask the film, if only briefly, to abandon its posturing, to relinquish its appetite for bloodshed, and to simply …