All posts tagged: Dennis Joseph

A ‘cute and drunk’ Mohanlal being taken care of by ‘Vallyettan’ Mammootty while solving a murder mystery

A ‘cute and drunk’ Mohanlal being taken care of by ‘Vallyettan’ Mammootty while solving a murder mystery

A jovial, fun-loving, and mischievous guy interacts with a laconic, commanding, and distinguished man who exudes a big brother persona. While we could easily be talking about an occasion when Mohanlal and Mammootty were together in real life, this can also be seen as a description of any scene in which the two share the screen in legendary director Joshiy’s No 20 Madras Mail (1990). A comedy-thriller revolving around the murder of a young woman on a Chennai-bound train from Kerala, No 20 Madras Mail remains one of the most celebrated Malayalam films where the two superstars appeared together. With a slight Agatha Christie touch, veteran screenwriter Dennis Joseph wrote the film, placing equal emphasis on comedy, mystery, and thrills. However, what stood out the most was its brilliant utilisation of Mohanlal and Mammootty’s on-screen chemistry, which almost felt like an extension of their real-life selves and camaraderie. Don’t Miss | Mohanlal finally meets Jayakrishnan of Thoovanathumbikal, the man for whom Padmarajan built a memorial Although the movie isn’t extraordinary, it stands as a testament …

Ilaiyaraaja slashed fee from Rs 10 lakh to Rs 50,000 for Adharvam, made at Rs 22 lakh, as he loved Mammootty’s New Delhi; composed its 4 songs in just 30 minutes | Malayalam News

Ilaiyaraaja slashed fee from Rs 10 lakh to Rs 50,000 for Adharvam, made at Rs 22 lakh, as he loved Mammootty’s New Delhi; composed its 4 songs in just 30 minutes | Malayalam News

Malayalam megastar Mammootty’s unparalleled legacy is marked not just by his widely acclaimed and successful movies, but also by those that went under the viewers’ radar despite being impressive works, as well as those that have etched themselves into the hearts of a niche audience. In fact, his oeuvre, comprising over 400 films across five decades, includes several underrated works, among which Adharvam (1989) stands out for its impressive explorations of the dark fantasy horror subgenre. The sophomore directorial venture of blockbuster screenwriter Dennis Joseph, Adharvam was penned by his longtime associate Shibu Chakravarthy and produced by one of Dennis’ mentors, A Eraaly. In fact, Dennis joined hands with Eraaly as the latter was going through a challenging time and desperately needed a commercial success. Must Read | Prathichaya movie review: Nivin Pauly’s political drama is old wine in a new bottle ‘Adharvam over Kottayam Kunjachan’ However, the writer-director himself once revealed that although he had presented Eraaly with two options — Kottayam Kunjachan (1990), an out-and-out action comedy with better chances of being a …

‘A cultural phenomenon’: How Hariharan saw a trendsetter in Mammootty’s Kottayam Kunjachan while others predicted a flop | Malayalam News

‘A cultural phenomenon’: How Hariharan saw a trendsetter in Mammootty’s Kottayam Kunjachan while others predicted a flop | Malayalam News

For Malayalam movie audiences who grew up watching and loving Mammootty’s films, director TS Suresh Babu’s Kottayam Kunjachan (1990) holds a special place in their hearts. Although comedy has never been his forte — as clearly evident in his early movies — Mammootty never stopped trying and kept refining his skills in the domain. While he began showing improvement over time and impressed audiences in films such as Manu Uncle and Carnivel, it was Kottayam Kunjachan where he truly knocked it out of the park with comedy. His portrayal of the titular character — a local illiterate thug who wishes to turn over a new leaf — was extraordinary. Thanks to the script’s innate humour and the impressive weaving of the Kottayam dialect into it, which was uncommon in Malayalam cinema until then, the action-comedy impressed everyone and became a blockbuster. However, Kottayam Kunjachan was one of those movies in which even its makers had little hope. While the producer who initially took it up abandoned it during the discussion stage itself, the movie’s eventual …

Rajinikanth’s incomplete Malayalam film was shelved due to Gulf War after seven days of shoot, he was ready to do it for free | Malayalam News

Rajinikanth’s incomplete Malayalam film was shelved due to Gulf War after seven days of shoot, he was ready to do it for free | Malayalam News

Although it was Tamil cinema that made Rajinikanth “the man, the myth, and the legend” we see today, his oeuvre spans several languages, as he worked in various film industries during the early stages of his career, leaving a lasting impact wherever he set foot. Aside from frequent appearances in Hindi, Telugu, and Kannada, he also played a cameo role in a Bangla movie once, thus becoming a bona fide pan-Indian star. Interestingly, Rajinikanth has also worked in Malayalam cinema alongside his fellow Tamil superstar Kamal Haasan, in director IV Sasi’s Allauddinum Albhutha Vilakkum (1979), which was simultaneously filmed in Tamil (Allaudinaum Arputha Vilakkum) as well. Besides, he also played the lead role in the 1981 Tamil-Malayalam-Kannada trilingual movie Garjanai (Garjanam and Garjane in the latter languages). Originally planned as a Malayalam film headlined by “action hero” Jayan, Rajinikanth was roped in after Jayan died in an accident on the sets of another movie. The project was then revamped, with Rajinikanth replacing Jayan as the hero. Must Read | Mohanlal once considered becoming a monk …

Mammootty-Sumalatha’s blockbuster was born from an astrologer’s prediction; film gave Dennis Joseph a breakthrough; Joshiy was initially sceptical to direct it | Malayalam News

Mammootty-Sumalatha’s blockbuster was born from an astrologer’s prediction; film gave Dennis Joseph a breakthrough; Joshiy was initially sceptical to direct it | Malayalam News

Mammootty is widely regarded as a GOAT (Greatest Of All Time), not just for the phenomenal performances he has delivered over the years, but also for the unconventional and pathbreaking choices he has made throughout his five-decade career. While he has done numerous formulaic commercial entertainers, Mammootty’s repertoire also radiates a versatility that few can claim. Among the many atypical movies he has done is veteran director Joshiy’s Nirakkoottu (1985). Although the crime drama might now feel like just another mainstream movie, a closer look and analysis, against the backdrop of the cinema of its era, would prove that Nirakkoottu was a risky project, especially for Mammootty. ARTICLE CONTINUES BELOW VIDEO At a time when mainstream cinema had clear, proper definitions of heroes and villains and how they should be presented on screen, Nirakkoottu broke conventions and adopted a different narrative style. For most of its first half, Ravi Varma (Mammootty) is portrayed as a ruthless criminal, awaiting a death sentence for the brutal murder of his wife, Mercy (Sumalatha). Even in the flashback scenes …

‘Flop actor’ Mammootty to superstardom: Actioner made in Rs 30 lakh earned over Rs 1 cr, Priyadarshan told Mohanlal, ‘Mammootty is back’ | Malayalam News

‘Flop actor’ Mammootty to superstardom: Actioner made in Rs 30 lakh earned over Rs 1 cr, Priyadarshan told Mohanlal, ‘Mammootty is back’ | Malayalam News

Mammootty’s superstardom wasn’t built in a day. In fact, there was a time when almost everyone, himself included, believed that his career was over and that he would soon stop receiving acting jobs, or at least lead roles. After showing promise initially and even winning his first Kerala State Film Award for Best Actor in 1984 for Adiyozhukkukal, Mammootty’s career took a significant nosedive in the mid-1980s. During this era, most of his films flopped, and he reached a point where producers were hesitant to collaborate with him. While Mohanlal was soaring in his career, Mammootty was delivering flop after flop. Meanwhile, director Joshiy and producer Joy Thomas of Jubilee Productions joined forces with the noble aim of giving Mammootty a much-needed hit. The actor played a key role in shaping their careers, and several of their previous collaborations with Mammootty had been hits. Along with them was veteran screenwriter Dennis Joseph, who was riding a wave of success at the time. However, both Joshiy and Dennis were also in a tough spot; even their …

How Mani Ratnam took ‘sweet revenge’ on a Malayalam screenwriter who left his film Anjali for a Mohanlal-Mammootty project | Tamil News

How Mani Ratnam took ‘sweet revenge’ on a Malayalam screenwriter who left his film Anjali for a Mohanlal-Mammootty project | Tamil News

Sandwiched between his classics like Geethanjali (1989) starring Nagarjuna and the Rajinikanth-starrer Thalapathi (1991), Mani Ratnam helmed Anjali in 1990. Interestingly, Ratnam used a character in this film to take his ‘sweet revenge’ on Malayalam screenwriter Dennis Joseph who had ditched him halfway through the project. In an interview with Safari TV, Joseph, who passed away a few years ago, recalled his collaboration with Ratnam on Anjali and how he eventually had to leave the project midway. He said, “Mani Ratnam told me the story idea about this child with autism and how it affects her family. It was all there in his mind. He just had to write it down. I asked him why the screenwriter of a classic screenplay text like Nayakan needs someone like me to write his film. But he said something that surprised me, that after Sholay, my script for New Delhi is the screenplay he considers the best commercial script of Indian cinema at the time. I was so thrilled to hear that from the writer of Nayakan. So …