Karuppu: Flawed yet beautiful humans are the soul of Suriya-Trisha Krishnan’s film, not guardian deities
On the surface, RJ Balaji’s Karuppu almost plays out like every other mass masala film you have seen growing up. The more the hero is painted into a corner, the more the villain challenges the hero, the more people around him suffer, the more he rises to save the day. But what do you do when your protagonist is a literal guardian deity and not just a demigod that cinema loves to prop up? You rely on the beauty and ugliness of humanity around him. *Spoilers ahead* Indrans, Anagha and Suriya in stills from RJ Balaji’s Karuppu. What is Karuppu all about? Baby Kannan (Balaji) is the kind of lawyer you wouldn’t wish on your worst enemy. Irrespective of your woes, he will squeeze out every last remaining drop of your savings and smile devilishly while at it. The court he works at reflects his rotten core. Not more than ten people can climb its stairs at a time, for fear of it falling, and the judge is always wary of when the ceiling will …









