In Christopher Nolan’s Interstellar (2014), the emotional climax arrives not through cosmic spectacle but through a quiet, devastating reunion between a father and his daughter. Matthew McConaughey’s Cooper returns from the vast unknown to find Murph old and fading, no longer a child but a woman who has lived an entire lifetime without him. “No parent should have to watch their own child die,” she tells him. The line is simple but speaks to something primal — that the bond between parent and child is not merely emotional but foundational, instinctive, even feral. The fear of losing a child, whether to death, distance, or disappearance, is a nightmare no parent can ever fully wake from. It’s this fear that anchors All Her Fault, the Sarah Snook–led psychological thriller that examines how far a mother might go to reclaim what was taken from her, even when the world insists she is wrong. The familiar fear, delivered fresh The premise is disarmingly ordinary: Marissa Irvine (Snook), a self-made wealth manager and mother, drives to a suburban home …