All posts tagged: Storytelling

K Bhagyaraj Passed Away at 73: Tamil Cinema Loses Its Master of Middle Class Storytelling

K Bhagyaraj Passed Away at 73: Tamil Cinema Loses Its Master of Middle Class Storytelling

Veteran filmmaker, writer and actor K Bhagyaraj, one of the defining creative voices of Tamil cinema, passed away on Saturday after reportedly suffering a cardiac arrest. He was 73. His demise comes just days after the industry bid an emotional farewell to his mentor Bharathiraja, leaving Tamil cinema to mourn yet another towering figure whose influence stretched across generations. Across a remarkable career spanning nearly five decades, Bhagyaraj established himself as one of the industry’s finest storytellers. Whether as a writer, director, or actor, he consistently found extraordinary drama in ordinary lives, creating films that blended humour, romance, family relationships, and social observations with remarkable ease. His work not only entertained millions but also redefined what mainstream Tamil cinema could achieve through sharp writing and deeply human characters. From Bharathiraja’s assistant to a filmmaker with a voice of his own Bhagyaraj’s journey in cinema began under the guidance of Bharathiraja. He made a brief appearance as a junior artist in the filmmaker’s landmark debut, 16 Vayathinile (1977), while also serving as an assistant director on …

From Eetha to Baby Do Die Do, girl power leads storytelling in times to come!

From Eetha to Baby Do Die Do, girl power leads storytelling in times to come!

After recent female fronted titled such as Maa Behen and Bharat Bhhagya Viddhaata put women at the centre of storytelling, a fresh slate is ready to keep the momentum going. Here’s a look at the upcoming stories! Huma Qureshi in a still from Baby Do Die Do. Baby Do Die Do Actor Huma Qureshi’s maiden production sees her in a gritty and entertaining role in the suspense thriller film Baby Do Die Do. The film’s recently released teaser gave a glimpse of Huma’s character who is mute and hearing impaired hitwoman in Mumbai. She had shared the excitement of co-producing her first film with brother Saqib Saleem as she said, “It’s really amazing that we are getting the opportunity to be first generation producers. I think somewhere it came from lack of opportunity, from that frustration in the early years because I feel like, ‘oh my God, I can do so much more’. As an actor I can only prove myself if you hire me for the job,” Eetha Actor Shraddha Kapoor is coming back …

Between visibility and storytelling: Huma Qureshi and Kritika Kamra on Bollywood’s future

Between visibility and storytelling: Huma Qureshi and Kritika Kamra on Bollywood’s future

Huma Qureshi and Kritika Kamra in conversation with Rohit Khilnani, at The Hindu Huddle 2026 on May 5, 2026. | Photo Credit: K. Murali Kumar Film production in Bollywood has gone down by 50%, and current filmmakers are confused about their prospective audience, according to actor Huma Qureshi. “It’s not an alarming sign, but I feel for upcoming actors who struggle for opportunities,” said Ms. Qureshi, who was speaking at The Hindu Huddle 2026 on Friday (May 5, 2026). Also Read: The Hindu Huddle 2026 Day 1 Highlights She shared her observations on current trends in Bollywood, along with fellow actor Kritika Kamra, during a session titled ‘New Avatar for the Silver Screen: The Global Reach of OTT’, which was moderated by journalist and talk show host Rohit Khilnani. In pictures: The Hindu Huddle 2026 | Day 1 Day 1 of The Hindu Huddle in Bengaluru, inaugurated by Karnataka CM D.K. Shivakumar (R). Dr. Narayan Lakshman, The Hindu’s Opinion editor and the curator of The Huddle (L) is seen at the event. The Hindu Huddle …

Peddi: Ram Charan’s sports drama mistakes suffering for storytelling; Janhvi Kapoor’s midriff is given more screentime

Peddi: Ram Charan’s sports drama mistakes suffering for storytelling; Janhvi Kapoor’s midriff is given more screentime

What do you get when you mix The Karate Kid with Dangal and Lagaan? Peddi. At least on paper. In execution, it feels like a patchwork of familiar sports-movie beats, borrowing generously from it’s inspirations while leaving behind the excitement and emotional connect that made them work. Peddi Directed by Buchi Babu, the story revolves around Peddi (Ram Charan) a talented cricketer from a lower-caste community in a neglected village, long denied a railway station. Frustrated by years of apathy from the government, he decides to put his village on the national map by winning a national wrestling championship. But when fate doesn’t help, Peddi’s journey takes an unexpected turn. What follows forms the crux. What starts as an inspiring story about India’s sporting ambitions soon descends into narrative chaos. Peddi is introduced as a cricketing phenomenon capable of feats that would put Virat Kohli and Mahendra Singh Dhoni to shame. Just as you’re settling into that storyline, the film performs a bizarre pivot to wrestling. The transition is so strange… it feels less like …

Aamir Khan: ‘In cinema, you have 2.5 hours… that’s where the economy of storytelling comes in’ | Bollywood News

Aamir Khan: ‘In cinema, you have 2.5 hours… that’s where the economy of storytelling comes in’ | Bollywood News

If you have to enter films, you need to know about writing. Even if you don’t become a writer, you need to know about writing,” Aamir Khan told film students who congregated at Whistling Woods International, Mumbai, on May 5 for the third Screen Academy Masterclass. The actor has been credited as a screenwriter in only two films across his 42-year career — Hum Hain Rahi Pyar Ke (1993) and Ghajini (2008). But Aamir insists that even students, who are not aspiring screenwriters, must learn the craft to be one with the film they are making. For this, Aamir strongly recommends the book, The Art of Dramatic Writing (1946) by Hungarian playwright and teacher Lajos Egri. “It’s the mother of all books on writing. It’s primarily about theatre, but translates very well to cinema as well,” he said. The very first chapter of the book is about setting the premise, similar to what his late father and veteran filmmaker Tahir Hussain would ask every screenwriter even after getting a three-hour long narration: “Narrate the story …

Saif Ali Khan calls romcoms a ‘failed experiment’: They are an anomaly that started and finished with me

Saif Ali Khan calls romcoms a ‘failed experiment’: They are an anomaly that started and finished with me

In his career that has spanned over three decades now, Saif Ali Khan has ventured into different genres and mediums. Recently, he was seen in the intense drama Kartavya on Netflix where he played a cop. However, it’s his late ’90s and early 2000s romcoms like Hum Tum (2004) and Salaam Namaste (2005) that made the actor a household name, even getting him a National Film Award. Saif Ali Khan In recent years, Bollywood has been unable to churn a romcom that could gather such a popularity that Saif Ali Khan saw in his early years, and the actor has an interesting take on it. “I loved doing romcoms, but I feel they were like an anomaly in Indian cinema which might have even started and finished with me in a sense. I think romcoms are a failed experiment, although a beautiful one. There is something going deeper in the Indian society which is the want for a love story,” he says. Watch the entire chat with Saif Ali Khan here: The actor adds, “A …

Exclusive! Oscars 2027: Anupam Kher-We cannot use AI in emotions

Exclusive! Oscars 2027: Anupam Kher-We cannot use AI in emotions

As artificial intelligence continues to transform the film industry, even institutions as tradition rich as the Oscars are being prompted to evolve. What was once purely a celebration of human creativity now intersects with algorithms, machine learning, and digital collaboration tools. Anupam Kher In response, the Academy awards recently announced new AI guidelines designed not to restrict creativity, but to ensure transparency, fairness, and respect for the people behind the work. As the Oscars adapt to this changing landscape, these guidelines may well define the future of storytelling. Veteran actor Anupam Kher who featured in the 2012 film Silver Linings Playbook, that received eight Academy Award nominations says, “This is the most amazing decisions by the Oscars, because cinema is about emotions and emotions are about humanity and human beings. We cannot use AI in emotions because then it’s all machine. It’s a welcome decision that should be taken in India and all over the world too.” Silver Linings Playbook is a romantic comedy-drama about Pat Solitano (Bradley Cooper), a man with bipolar disorder trying …

Sanjay Dutt Starrer Unveils Indian Sign Language Teaser, Champions Inclusive Storytelling

Sanjay Dutt Starrer Unveils Indian Sign Language Teaser, Champions Inclusive Storytelling

Aakhri Sawal ISL Teaser ( Photo Credit – YouTube ) Aakhri Sawal, starring Sanjay Dutt, is undoubtedly one of the most anticipated movies, with viewers excitedly awaiting it. The teaser, presented on the occasion of Hanuman Ji Janmotsav after causing a stir with its announcement, fully immerses us in the history of the Rashtriya Swayamsevak Sangh, the largest voluntary organization in the world, like never before. The movie has now made a daring move by releasing the teaser in Indian Sign Language. Aakhri Sawal: ISL Teaser Aakhri Sawal has released its teaser in Indian Sign Language, marking a major step towards inclusivity. This audacious action emphasizes the movie’s goal of reaching as many people as possible. It makes it extremely evident that the teaser is intended for all communities, enabling everyone to enjoy it in a way that suits them. This undoubtedly demonstrates the creators’ efforts to make the topic accessible to everyone. They have ensured that everyone can see a part of India’s history rarely depicted on TV. Aakhri Sawal Creators Aakhri Sawal is …

Normal movie review: Bob Odenkirk’s thriller is undone by weak storytelling | Movie-review News

Normal movie review: Bob Odenkirk’s thriller is undone by weak storytelling | Movie-review News

3 min readApr 17, 2026 06:00 PM IST Minnesota. Snow. Sheriff. Quiet. And, then, a car rolls into town. It’s clear that Normal takes a lot of its cues from the film and TV series Fargo (Bob Odenkirk even starred in the first season). And, as long as it is about the five things above, and Bob Odenkirk, Normal holds a lot of promise. The atmospherics are just right, the people seem to be folks one can be around – with the exception of the too-slick Mayor (Winkler) – and the town of Normal seems to be just the kind of place a sheriff carrying a weight on his shoulders, as the grandiosely named Ulysses (Odenkirk) is, might find some peace. The giveaway are the guns and explosives all over the town, including the police armoury armed to the gills and its most popular diner. Heck, even the ubiquitous nosy old lady seems to have too much of an interest in police activities. Given that it is bleak America though, Ulysses perhaps expects the guns …

As streaming giants enter the microdramas space, India is ripe for a boom of ‘the most democractic storytelling format’

As streaming giants enter the microdramas space, India is ripe for a boom of ‘the most democractic storytelling format’

It is the age of bite-sized entertainment. Reels (and TikToks in the West) have overtaken YouTube videos as our primary source of entertainment. Shows are becoming more popular than films in many parts. And taking that to its next logical progression are microdramas. The trend, which began on YouTube and social media, is now mainstream with streaming giants backing it. And India may just be on the precipice of a boom. Microdramas are set to reach far and wide in India with mainstream backing. From independent content creators to streaming giants Micro dramas are rapidly transforming from bite-sized experiments into a structured, platform-backed ecosystem. They began as independent content, often led by either individual creators or small production companies. For instance, Dolly Singh’s Best Worst Date has already run for two seasons. But these microdramas were hosted on personal platforms, either on YouTube or the creator’s own Instagram. The only way for them to succeed was virality, kick-started by the actors’ own following. The shift to a platform like JioHotstar, bringing them on board, marks …