Elephants in the Fog review: Nepal’s Cannes Jury Prize winner is quietly powerful | Movie-review News
Elephants In The Fog review: When you make a conscious choice of highlighting the kinnar community in a small Nepal town for a film that talks of love and pain and desire, and it gets selected at the 79th edition Cannes film festival, the first film from Nepal to have done so, it’s tempting to look at that choice as something that may appeal to a Western palate. But one of the best parts about Abhinash Bikram Shah’s debut feature, which created history not only for its selection but by winning the Jury Prize in the Un Certain Regards section, is that it doesn’t exoticise the Metis or the ‘third gender’. The community is legally recognised in Nepal, just as it is in India, and it is equally hard in both South Asian neighbours for individuals to garner respect or respectable jobs: they eke out a meagre living by singing and dancing at births and marriages. Pirati ( Pushpa Thing Lama), a middle-aged transwoman at the heart of this tender, affecting drama, falls in love …



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